He developed a new visual technique called typophoto (Figure 1) and his discussion of typophoto was that "Moholy-Nagy’s discussion of typophoto: “What is typophoto? Typography is communication composed of type. Photography is the visual representation of what can be optically apprehended. Typophoto is the visually most exact rendering of communication.” Moholy-Nagy’s enthusiasm for photography led him to start experimenting with photograms in 1922. In the following year, he began to make photomontages, which he called photo plastics (Figure 2). A “photogram” is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light. He saw his photograms and photo plastics as a manifestation of a process of arriving at a new expression that could become both more creative and more functional than painting or straightforward imitative photography. His great interests towards photography enabled him to experiment new ways of photographic worksBy using great tools of technology tools, he created a new way of expressing photographs that became more influential and distinctive from others.